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The King of the Ants combines his twin vocations. That is, these are short prose pieces, which Herbert called "mythological essays." Yet the form itself--in which he takes apart the classic myths and expertly tinkers with their innards--has the speed and epigrammatic suavity of his best poetry. Here, for example, is Herbert's take on Atlas, whom we might call the king of mythological heavy lifting: The whole character of Atlas, his entire being, is contained in the act of carrying. This has little pathos, and moreover it is quite common. The titan reminds us of poor people who are constantly wrestling with burdens. They carry chests, bundles, boxes on their backs, they push them, or carry them behind, all the way to mysterious caves, cellars, shacks, from which they come out after a moment even more loaded, and so on to infinity. Herbert is no less intrigued by Antaeus, who went head to head with Heracles himself in a celebrated wrestling match. On one hand, he tries to visualize the actual bout, taking his clues from accounts by Plato, Pindar, and the Renaissance miniaturist Antonio Pollaiuolo. But it's the metaphorical implications of the match that really get him going--the way it reverses our usual image of victor and vanquished. His subject, he reminds us, "had to overcome the concept, deeply rooted in us all, of what we call high and low, the elevation of the victor and the throwing of the defeated down into the dust. For every time Antaeus was lifted up, it meant death for him." In the author's hands, these musty figures become almost alarmingly contemporary--and entertaining. And while he never weighs down his essays with philosophical ballast, they do contain more than their share of casual wisdom. Like the philosophers he mentions in the title essay, Herbert too had "the not very tactful habit of teaching others how to live." --James Marcus