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“Nothing of the former world holds true anymore,” Zofia Nalkowskawrote in her Wartime Diaries on 7 May 1943. “Nothing has remained.” The burnig of the Warsaw ghetto has broken Nalkowska’s privileged life in two; in the years to come, the need to bear witness to the horrors she had seen firsthand would lead this gifted member of the Polish avant-garde to write the stories in Medalions
